There’s a light….

It’s probably no surprise that I have been feeling some ambivalence about my sewing so far in 2013.  A couple of projects I haven’t been totally impressed with due to my own lack of skills has had me, at times, wonder if my successful makes last year were just an amazing streak of beginner’s luck.

I’ve been slowly slowly working on my fit “issues” with Lynda Maynard’s craftsy course, and it has been a beast, but also extremely helpful.  I’d much rather work on wearable things, but at the same time I’ve been too gun-shy about fabric ruining, I’ve had a hard time getting excited about planning future projects.

But I feel like I’m making good progress with fit.  I really have learned a lot- not only about fit, but the whole muslin/test garment practice, and I feel a lot more confident about trying things out in muslin and then altering the pattern to reflect the changes.

I recently finished my 3rd bodice muslin with the pattern altered to incorporate changes from the previous muslin.  The results weren’t really what I expected or hoped for, and I’ve spent some time trying to figure out different solutions.  Lynda has also been great about giving feedback on photos I’ve posted.

Slash & Spread on the left, Lynda Maynard method on the right

While I wait for the next round of Lynda’s suggestions, I decided to try my hand at your standard slash and spread FBA to see how that alteration measures up to what I’ve done in the craftsy class.  I’ve looked at tutorials, and have several books that go over different FBA methods, but this is the first time I’ve really tried it.  I think I just needed to build up my confidence in making pattern adjustments, and the craftsy class provided just enough hand holding to get me started.

For my slash & spread FBA, I folded the original pattern piece to the petite line, which I didn’t do with the Lynda Maynard method, but I quickly determined that since I’m fitting myself, it’s a whole lot easier to add length than to tuck it up and take it away.

I also noticed, when flipping through the fitting books, that I might benefit from a square shoulder adjustment.  The key indicator of that is gaping at the upper back, so I am trying that out on the S&S pattern as well- I slid the outer edge of the shoulder up about 3/8″.  I couldn’t find clear direction on how much to move it, but I figured that would give me an idea as to how the adjustment plays out in fabric, and I can tweak it later if it looks like the right thing to do.

I’m a little surprised by how similar the patterns turned out- especially since the S&S alteration started with a petite shortened pattern.  The largest difference is the length of the center front fold edge- the S&S is about 2″ shorter.  The side seam edge is about 1″ longer on the S&S pattern, but the side dart is about 1/2″ to 1″ wider.  The lower edge of the S&S pattern is about 1/” to 1″ wider, but the front dart is about 1″ narrower.  The front dart is also about 1″ closer to the center front fold in the S&S pattern.  I intentionally made the front dart point about 1″ shorter because I read somewhere the fuller your bust, the farther the dart points should be from the apex, and the original pattern and Lynda Maynard adjusted pattern seemed a little too close.  The side dart lengths from tip to edge are about the same.

I’m going to sew up a muslin of the S&S adjusted pattern tonight.  I’m pretty excited to see how that fit compares to the Lynda Maynard adjusted pattern.

So I’m definitely seeing a light at the end of the tunnel, and know I’m getting closer to wearable.  I even woke up at 4am the other day because my brain had to let me know RIGHTTHISMINUTE that I need to use my pink toile from New Orleans for a Colette Crepe dress (non-sweetheart version).  And later that same day, it suddenly became obvious that my Enterprise fabric needs to be an A-line, non-sweetheart, Sewaholic Cambie, and I’m thinking over a couple of ideas for that.  It’s definitely nice to start having ideas and getting excited about sewing projects again.

Sewing room update!

A couple of weeks ago, I noticed a new cutting table at Joann.  It was a good size, and looked a little sturdier than the other cutting table I had seen there.  And CUBBIES!!  I snapped a picture and sent it to my husband- because I’ve been wanting a better cutting table and more organized storage in my room, and this would kill 2 birds with 1 stone, for a pretty reasonable price (especially if I used a coupon or my Joann VIP card).

After talking it over, my husband and I agreed on a budget for sewing room furniture upgrades- I figured it would be enough for that table and a new fabric cabinet.  Awesome!
Then Brooke, over at Custom Style, showed me a picture of her completely amazing Ikea hacked cutting table, and I abandoned my original plan for something a little more extensive.

UntitledI’ve been browsing furniture online for a while.  There seems to be an abundance of ugly, expensive, and/or not optimal pieces out there, but since I had to go to Ikea anyway for 12 Lack side tables, I headed to their website and quickly targeted the Micke series of office furniture.  I really liked that these pieces are just under 20″ deep to help maximize room space.  The tables I had been using as desks were 24″, and I knew I wouldn’t miss those 4″.  I also liked the variety of desk widths, so I could mix and match a combination that would best fit my space and they would all coordinate with each other.

I broke out excel, and started playing around with different combinations and layouts of desks that would still allow for walking space around my Lack hack cutting table, which wound wind up measuring around 65″x 43″ in my 10′x 13′ formal dining room turned craft room.  I settled on 2 of the desks with integrated storage (yay! cubbies!) along the windowed wall of the room, and in the heat of the moment at IKEA, I decided a drawer unit would fit well on that same wall.

I ordered a new fabric cabinet from somewhere else, but I wish I had considered the Ikea armoires.  I figured their armoires were like my old one- with no peg holes to easily add shelving, but that is NOT the case.  If I had a do-over for that, I’d get something from there since their stuff seems sturdier and some of it is less expensive than what I ended up with, but the one I got isn’t bad, and is a big improvement on what was there before.

I spent most of the weekend building furniture and organizing. I even re-found some interesting things during my cleanout- maybe it’s time for a blog giveaway?

I really love how the room turned out.  Here are some “before” pics:

Sewing room "before" pictures

My old cutting table was a small Ikea dining table on bed risers, and my assortment of plastic drawers were pretty disorganized.

Sewing room "before" pictures

My sewing table and computer table were 2 plastic folding tables cornered against each other. I really hated the lack of drawers, and the folding mechanism took up too much room to put drawers underneath them.

Sewing room "before" pictures

Fabric cabinet of doom!!! This beast is nearly 45″ wide and 24″ deep, and no shelves, so that was pretty much as organized as it ever got. This thing felt like it took up half the room, so I had to move it out to make room for a larger cutting table.

And the “after” pictures:

New sewing room furniture 2013

The tables were pretty easy to put together, but stacking them securely was a bit tricky.  I tried to do 2 dowels per corner, like Brooke did (yes, another link- because I love it so much) for hers, but it. did. not. go. well.  I would up just doing 1 dowel, measuring 1″ by 1″ from the outermost corner to the center, and that worked pretty well.  I used 5/8″ dowels, which are a bit bigger than the ones that are standard with Ikea furniture.

New sewing room furniture 2013

I decided to put the drawer unit in between the desks. It’s on casters, so I can roll it out to access the back cubbies. YAY! CUBBIES!

New sewing room furniture 2013

The corner where the armoire used to be. Now I have wall space to freely acquire the last 4 months I need to have a complete set of Al Moore’s 1950 calendar girls.

New sewing room furniture 2013

The cubbies make great bookshelves, and accommodated my tallest and widest books without a problem. I hung my thread pegs to the side of the drawers for easy access.

New sewing room furniture 2013

I have a hook on the wall for when my ironing board isn’t in use. A toothbrush holder on the cutting table holds tracing wheel, seam ripper, seam gauge, and chopstick (for point turning), and little plastic baskets for colored pencils and pattern weights.

New sewing room furniture 2013

Just for fun- I keep my super special knick knacks on the window ledges. The Wizard of Oz snow globe was my Mother’s Day present from the kids this year. They are also responsible for the munchkin cards and stickers on the window.

New sewing room furniture 2013

Rarity supervises my sewing desk to make sure I do everything just right along with a solar dancing flower and a cast iron mermaid that turned out too small to be a bookend.

 

 

 

 

 

 

 

 

 

 

 

 

 

I hope you enjoyed the tour of my sewing space. I am super happy with how it turned out, but please don’t expect to see my room this “put together” in future pictures!
I guess I really have no excuse now to procrastinate working on my muslin for the craftsy fitting course!

A trip to New Orleans and fitting progress

When we last left off,  I was in the middle of Lynda Maynard’s Sew the Perfect Fit, and dragging my way through it whining about wanting to make something wearable.

3 weeks later, and not much has changed. I’m coming off the busiest period of the month at work, which was preceded by a 3 day work trip to New Orleans. I was able to work on the muslin again last night for the first time in 2 weeks, and I feel like I’m making good progress. I’m in the middle of cutting out my 3rd (final? If I’m lucky) bodice muslin, but ran out of muslin (gee, that sounds awkward), so that will have to wait.  I might be able to call it done this weekend.

While my trip to New Orleans was  mostly work related, I did have time to find my way down to the apparel fashion fabric shop, Promenade Fine Fabrics. I’ve made a habit of Googling for local fabric shops whenever I’m going to be away from my home turf, and New Orleans did not disappoint.  Lucky for you all, twilltape made a trip and great post about this shop just a couple of weeks before I was there, and I think she described it (and photographed it), better than I ever could, so I must go on and just share my finds!

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First, this beautiful cotton lawn. It’s a blush pink, with an Asian inspired toile print. It feels so delicate and airy, and although I usually go for bolder colors, I just couldn’t leave it. I imagine making something full skirted and breezy that will be beautiful and cool in the hot Atlanta summer that needs to hurry up and get here already!!!
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Some detail of one of the toile motifs. I was so taken by the texture of this fabric, I didn’t even examine what was in the toile images until I photographed it. It’s a cream on pink, so it’s pretty subtle if you aren’t looking closely.
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With my hand underneath to give an idea of the sheerness. I think I will underline it with something peachy. It’s kind of in between a peach and a bubblegum pink, and I don’t want to push it closer to bubblegum.
The other fabric I picked up doesn’t really jive with my lack of photography skills + cell phone camera, but here we go anyway:
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It’s hard to capture the color for some reason, but what’s coming up as gold, is really a lighter green. The first picture probably comes closest to real life colors.

The guy that helped me out was pretty awesome. He had left law school to come back to the family business, and he was a lot of fun to talk to and very helpful. When I picked out the lace, he asked if I was planning to line it. I said “Well, of course!  Otherwise I’d be indecent!”  And without missing a beat, he said “Yeah- If you had said no, I’d have to come to Atlanta to see that!”  hahaha!  It’s been a while since a random guy has said something cheeky to me, so I bought 4 yards. Thanks for the ego boost, Promenade fabrics!

Fabric Row Fire Relief

I was deeply saddened to learn of the fire earlier this month in Philadelphia’s historic Fabric Row.  The fire took the life of one firefighter, consumed Jack B. Fabrics, and caused damage to several adjacent businesses and homes.

I recently blogged about my experience on Fabric Row, so I won’t rehash the historic significance and current scene, but this loss is a definite blow to an area and industry that was already in transition.

A fund has been set up by the local community to help the victims, and if you are local to Philadelphia, there will be a fundraising even on April 24, 2013.  More details here.

Sewcializing on twitter

I’ve recently been turned on to twitter, and it’s been so much fun!  I never really had an interest in using it for personal updates, but for sewing geek talk it’s just about perfect.  I often have sewing chatter I want to share, but it’s not enough for a blog post (and blogging isn’t all that conversational, anyway), and I don’t want to spam my facebook feed with it because 90% or more of them don’t care or can’t relate.
ENTER TWITTER!!!
Where I can post a quick pic of my Craftsy fitting course muslin in progress, get a verbal high five, and move on with my life!
Or I can tell the #sewcialist community I’ve decided to reward my hard work on learning fitting (because I am very impatient and want to move on to wearable things) with a spoonflower splurge, and what should I get- voile or crepe de chine?
And that question lead to a lively discussion about the fabrics, how they are different from other fabrics, and even speculation that the Center for Disease Control uses crepe de chine (CDC- har har har) for their drapes.
Yes, twitter hits the sewing chat spot.

We thought it would be fun to make #FabricChat a regular thing, and Leila at Three Dresses Project has a post with a poll so we can settle on a time.  So, head on over there, pick your favorite time slot, and come chat fabric!

And if you want to hit me up on twitter, I’m @MissParayim, and I would love to see you there!

Another blog award!

Hooray!!!

Thanks to the Amazing Taracat for including me in this award for bloggers with under 200 followers :)

As part of this award, I get to answer 10 questions, and then nominate 10 others and ask my own 10 questions. For “under 200″ I’m going with the bloglovin’ stats.

My questions, answered:
1. What made you start sewing? I was spending a lot of time online shopping for pretty an unique dresses, and noticed most of the clothing I was interested in was based on just a handful of silhouettes. I’d find dresses made in fabrics I LOVED, but in styles that weren’t to my taste, or a great style of dress in a fabric I disliked. Or something that had it all, but was way out of my budget. I’ve never been especially trendy, so mall shopping is usually a bust, and I was getting bored with the offerings from the few sites that offered clothes that appealed to me. I really wanted to take control by making my own garments, so I wouldn’t have to spend so much time and money finding clothes that interested me. Of course I probably still spend as much time and money hunting for fabrics and patterns, but it is much more fulfilling.
2. What is your favourite make? The first dress I made myself (Lemon Dress) has gotten the most wear. I also am really proud of how my Effie Trinket turned out.
3. ..and your least favourite make? Not counting UFO’s, the Matryoshka Dress has been the most disappointing.
4. Which of your projects has taught you the most, and what did you learn? I learn something from every project, I think, but I did the most muslins and pattern adjustments with Effie Trinket.
5. What proportion of your garments actually get worn in real life? I’ve worn them all in public at least once. Lemon dress and Cosmo Cricket dress probably get worn the most because they are easiest to iron, and I hate ironing except when I’m sewing. The Kati Cupcake dress is in my daughter’s regular rotation. She chooses her own clothes, and I think she tries to wear that one at least once a week.
6. What do you do with your sewing fails? Bin? Recycle? Refashion? I try to make it work through picking and re-sewing seams, and I haven’t had too many that are completely unsaveable. My Tiramisu bodice was tossed, but I saved the skirt portion to make a (still unfinished) skirt. I royally messed up a M6543, and was able to reuse the scraps for the Kati Cupcake dress.
7. Do you have a tried and tested pattern that you keep coming back to? Not yet. I’ve only been doing this for a year, and have too much fun trying out new patterns. I’m hoping that once I finish the craftsy fitting class, I can use my altered pattern as a TnT for a 4dart bodice front/2 dart bodice back.
8. What garment made by another sewing blogger do you wish that you’d made? I couldn’t pick just one. It seems like every day someone posts something amazing. It can be quite intimidating!
9. What would you be doing in your spare time if you weren’t sewing? Maybe playing Dance Central. I haven’t done too much of that since I started sewing- only have time for 1 hobby! Or maybe I’d be more on top of my housework and chores!
10. What has been your favourite moment since starting your blog? The interaction with other bloggers for sure! It’s nice to be able to reach out to people that have similar interests!

My 10 nominees, in no particular order. I enjoy each of these so much for their sense of style and blogging “voice”. You all really keep me inspired:

Cuckoo Chanel
Bobbins and Whimsy
Peanutbutter Macrame
Seam Ripped Blog
Sky Turtle
The Sometimes Sewist
The Dressmaking Diaries
Red Point Tailor
Simply E.Go.Tistical
Gjeometry

My 10 questions to be answered:
1. What is your favorite fabric to sew?
2. What kind of machine do you use?
3. Show me a picture of your sewing space!
4. What inspires you?
5. What is your favorite pattern?
6. What is your favorite thing you’ve made?
7. Least favorite?
8. How long have you been sewing?
9. What’s your favorite sewing tip or trick?
10. What do you want to make next?

Finding sewing’s lost generation part 2

To continue yesterday’s post on teaching my daughter to start thinking about sewing and garment construction.

My daughter’s assignment was to dress up a paper doll to represent her heritage, and I decided to use this as an opportunity to teach her some of the basics of planning a garment, using scraps from my stash.  I walked her through the project in about 3 days.

My husband and I are both European mash-ups, but we mostly identify as Russian, Scottish, German, and Irish. My daughter and I headed to the fabric cabinet, and pretty quickly picked out the fabrics to represent each country- a green velvet for Ireland (leftovers from the Ren Fest dress), a plaid for Scotland, and leftovers from the Matryoshka dress for Russia. Germany was definitely the trickiest country to choose a fabric for, but I had picked up some fabric at expo with a fairy tale theme, and we decided that worked since the Brothers Grimm were also from Germany.

UntitledLesson 1: Make a plan. Begin with the end in mind.
I set her off to plan the outfit and how she would incorporate each fabric. Her first idea included using the green velvet as a cape. A cool idea, but I pointed out that her doll was 2 dimensional, and she needed to plan the outfit keeping in mind it would wind up being pinned to a cork board. Is that the best use of the fabric? She agreed, and did a quick redesign that would show all the fabrics from the right side.

Lesson 2: Prepare the pattern
UntitledOnce she had an idea for the design, I set her up at the table with her doll, and a piece of tissue paper. I had her draw out the different elements of the outfit to make sure it would fit the doll once it was done. At first, she didn’t draw the borders along the arms and shoulders- just a line for where the sleeve would end and a curve for the neckline. I explained she would be cutting out the tissue paper as a template for cutting the fabric and poster board, and she needed a line on the paper for every line she was going to cut out of fabric. I always think it’s interesting when I give instructions that I think are pretty obvious (“Draw your outfit on the tissue paper”), and later realize I left out pretty critical information (“Include the outlines. The tissue is a template. It isn’t staying on the doll”). But she got it done, and cut out each piece of tissue paper separately, so she’d be ready for

Lesson 3: Prepare and cut the fabric
For the nesting dolls and fairy tale fabric, I had her play around with different arrangements of the pattern piece so she could get the elements of the print she wanted on the different pieces. I helped her pin it in place (and by helped, I of course mean I did all the pinning while she watched), and then gave her a lesson in cutting.

Cutting fabric is a little different from cutting for your typical 2nd grade art project. I explained that for an accurate cut, she should keep the fabric and the bottom blade of the shears on the table, and slide along while cutting with the top blade. I also taught her the very important tip of cutting with the tips of the scissors and not sticking them farther into the fabric than you want to cut. She almost learned that one the hard way.

I was seriously impressed with how quickly she caught on with the cutting. She is probably better at it than I am since I switched to mainly using the rotary cutter back in December.

Lesson 4: Assemble and Enjoy your work
She used her tissue paper pattern pieces to cut pieces out of poster board, glued the fabric to the poster board, and finally glued the outfit to her paper doll. She said her teacher really liked it, and (somewhat abashedly) the other kids “acted like it was special.”
I told her it absolutely was special, and that was a good thing. She worked hard on it, and learned a lot. I think she learned more than she realized.

This post was part of a blog share with parentwin.com, a wonderful blog about parenting, current events, and everything else. Go check it out!